☆ Summer waning poetry

 

James Tissot: La Partie Carrée, 1870.

 

It's only early August, but change is in the air. Days a little shorter. Kids going back to school. Calibunga only open on weekends.  But still--summer lingers. And Peter Coe Verbica catches it all in his rooted-in-the-South-Bay-foothills free verse. An Opp Now exclusive.

The Picnic

Now is not the time

to speak of a snake eating its own tail,

or to find the skeleton of a lost boy

caught inside a tree which up grew around him,

 

or to put pill bugs under a microscope

to witness the heads of monsters.

 

Let us instead snap

the ends of a picnic blanket

and let it float over shaded grass.

 

Pull vintage wine and smokey cheese

from the wicker belly of a basket

and listen to the gurgling of the creek.

 

While we watch water wash

over rounded rock.

 

I will slice our apples for you

like an aristocrat,

while you undress like Manet’s pale prostitute.

 

Wiggle your toes

and stretch in the warmth

of the early afternoon.

 

I will read to you sotto voce

from Parkman’s poetic prose:

 

of Maine forests and their rich decay,

of young seedlings

in the rotting carcass of wood,

 

of crowds of trees,

boughs interlocking,

as they elbow each other,

 

of a dark green ocean and waves

of timber stands starving for the sky.

 

Perhaps after a long walk

the writer stands at a lake’s edge,

to observe fish break through

reflections in the water.

 

We have been there,

hidden among the songbirds,

 

warm in a nest wound

from leaf litter,

twigs and muskrat fur.

 

Our time together is like

a shared cigarette on a castle stair,

such is the intimacy.

 

Some afternoons,

time is best measured

by the slow pulling apart of clouds

as if they are spun from sugar.

 

Like nature, we are both living

and dying at the same time.

 

How quiet it is

while I smell the smoke of you,

here on a grove’s bench.

Away from everything,

you possess me,

such is the privacy

of our picnic.

© 2024 by Peter Coe Verbica

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Jax Oliver